Archive

Posts Tagged ‘music’

Colin Davis receives Queen’s medal for music

January 3rd, 2010 Jules No comments

Sir Colin Davis was presented with Her Majesty’s Medal for Music for 2009 by the Queen on 8 December at Mansion House. The conductor also performed for the Queen with the LSO, of which he is President.

The award was presented for the first time in 2005, and Sir Colin is its fifth recipient. It is given to an individual or group of musicians judged to have had a major influence on the musical life of the nation. These have included Sir Charles Mackerras (2005), Bryn Terfel (2006), Professor Judith Weir (2007) and Kathryn Tickell (2008).

Colin Davis, HM The Queen, Medal for Music 2009

Sir Colin Davis & HM The Queen

Sir Peter Maxwell Davies, Master of the Queen’s Music, chairs the music committee which decides on the nominations for the award. Sir Peter commented not only on Sir Colin’s ‘work as a conductor and ambassador of classical music at the highest possible level’, but also ‘his involvement with the musical education of young people, making classical music a vital contribution to their development as whole human beings’.

The other music committee members are The Lord Moser, William Lyne, Sir Nicholas Kenyon, Richard Morrison, The Hon. Sir Humphrey Maud and Michael Berkeley.

Musical Stairs

October 19th, 2009 Jules 1 comment

Car firm Volkswagen recently teamed up with some designers to transform a set of steps at a subway in Stockholm into, well, a giant musical keyboard not too dissimilar from those played by Tom Hanks in flick Big.

The subway keys don’t appear to light-up, but each plays an individual note every time someone steps on them.

Categories: Articles Tags: , , ,

Royalty Free Music

September 2nd, 2009 Jules No comments

When a person or business creates an artistic work such as a piece of music,  video, dance routine, or any other type of expression where music is used as an integrated part of that production, royalties must legally be paid to the person that owns the copyright to the music that was used. Royalty free music is different in that in most cases a person can use the royalty free music in a production without paying royalty fees to the copyright holder. There are dozens of royalty free music web sites on the Internet, and all provide access to high quality, downloadable audio files, but royalty free does not necessarily mean free of all costs.

Royalty free music enables you to use the music, usually within a set of pre defined terms but it does mean that music will have a cost associated with it to purchase initially.  As a composer myself, writing a lot of music for business use, for example on podcasts and training courses, the question about royalties is often raised.   Generally to keep administration simple a lot of music written for a business will be provided royalty free.

There are generally two types of royalty free music. A “bespoke” composition will be supplied to a customer with an exclusive license. Whilst “royalty free” and often subject to additional terms this music can often be quite expensive as a one off cost but does mean the customer has something unique for their own use.  The other type of royalty free music fairly widely available is downloadable clips which attract a much lower price tag up front but are often available to an unlimited number of clients.

As to which option is best will depend on the customers requirements. The advantage of either type of royalty free music is that the customer has the freedom to use the music without worrying about any ongoing costs (providing there are no terms suggesting otherwise) and the composer or writer will have been paid for their efforts at the point of sale.

4 Part Music Forum (beta) now online

July 14th, 2009 Jules No comments

Today saw the launch of the forum for 4 Part Music.  Technically it was easy enough to get this together and functioning in the way that people expect from forums.  However, the big question now is how to get people to actually contribute and for it to become a worthwhile place to be on the ever expanding world wide web.

Currently its a bit of a catch 22. I am well aware that without any content there is nothing to draw people in to register and start posting.  But the thing is, until they do, there will still be little content of any value!

I’d welcome any ideas as to how this can be progressed and become a useful forum for those in the music industry.  There are still one or two bugs to be ironed out whilst the forum is tested but any comments or indeed posts would be welcome!

In the meantime if you want to have a look at progress so far then go to 4 Part Music – Forum

Categories: Recordings Tags: , ,

Michael Jackson working on classical music project?

July 13th, 2009 Jules No comments

He may have been known as the King of Pop, but recent evidence has suggested that Michael Jackson was working on several instrumental and classical music compositions shortly before he died.

US composer David Michael Frank , who worked with Jackson on a TV tribute to Sammy Davis Jr in 1989, claims he had met with the star a few months ago to discuss helping him with the orchestral arrangements of two new classical compositions he was working on.

Michael Jackson

Michael Jackson

Jackson, who once told German magazine Bunte that he didn’t really like pop music and would much rather listen to classical music, ‘impressed’ Frank with his knowledge of classical music.  “For one of [the pieces], he had a whole section of it done in his head,” Frank told Billboard Magazine. “He had not recorded it. He hummed it to me as I sat at the keyboard in his pool house and we figured out the chords – I guess this recording I made is the only copy that exists of this music.”

That was the last time the composer saw Jackson, although the star called Frank few weeks ago about the progress on the arrangements and working on more instrumental music – including a jazz piece.

“I hope one day his family will decide to record this music as a tribute and show the world the depth of his artistry,” said Frank.

Jackson’s death from cardiac arrest at the age of 50 stunned his fans across the world and sent some of his biggest hits back to the top of pop music charts. His single ‘Man in the Mirror’ skyrocketed to number one in the UK’s Big Top 40 singles chart , over 20 years after it was first released, thanks to an unprecedented number of downloads and radio airplay.

Violinist Vilde Frang signs with EMI

July 5th, 2009 Jules No comments

EMI Classics has recently announced the signing of Norwegian violinist Vilde Frang. Her first release, scheduled for January 18 next year, will feature Sibelius’s Violin Concerto and three Humoresques, in addition to Prokofiev’s First Violin Concerto. The live recording was made the WDR Sinfonieorchester Köln under conductor Thomas Søndergård, and co-produced by WDR with support from the Borletti-Buitoni Trust.

Vilde Frang has signed to EMI

“Vilde Frang is a brilliant young violinist,” said EMI Classics vice president of A&R, Stephen Johns. “Her special and unique voice, coupled with playing of great fervour and depth, promises a brilliant debut disc.”

The 23-year-old violinist,  made her debut at the age of 10 with the Norwegian Radio Orchestra. She has since appeared as a soloist with orchestras in Scandinavia, England, Germany, Austria, Switzerland, Singapore and Taiwan. She has also worked with Martha Argerich, Renaud and Gautier Capuçon, Gidon Kremer, Yuri Bashmet and Maxim Vengerov, and in 2009 toured the United States with Anne-Sophie Mutter and Camerata Salzburg in Bach’s Double Concerto.

Categories: News Tags: , , , , ,

Prior Park – Day One

June 22nd, 2009 Jules No comments

Having just delivered the rushes to the customer from our first two recording sessions yesterday I now have about half an hour to relax before heading back to the Chapel at Prior Park College in Bath for tonights recording session.

Yesterday’s highlights included “O Thou the Central Orb”, the Sanctus from Mozart’s Mass in C and a fabulous rendition of Buxtehude’s C Major Fugue. Recording in the chapel presented us with quite  challenge not least becuase the organ is located in a gallery at the West End and the choir are recorded from the floor.  It’s at times like this when our multi-mic technique comes into its own as it allows us to place microphones in strategic locations to ensure we can achieve the correct balance between choir and organ without relying on any sort of “fake” effect.

Having had a quick listen back whilst creating the rushes which we delivered to the Director of Music at Prior Park College this morning the microphone placement appears to be spot on to ensure we have sufficient clarity from the choir whilst also ensuring we have enough of the chapel’s 4 second accoustic.

I will report back again once we have finished tonights session which should include some solo’s as well as choir and organ.

Piano Duet fetches £20,000 at auction

June 17th, 2009 Jules No comments

A piano duet composed by Gabriel Fauré around 1870 recently sold for £20,000 at Sotherby’s Auction House, London.

Fauré ’s newly discovered manuscript was sold by Sotherby’s Senior Music Manuscript Specialist, Dr Simon Maguire.

Gabriel Faure

Gabriel Faure

Gabriel Fauré famous for his ‘inner ear’ which enabled him to compose away from the piano, was thought to have composed the manuscript at the time of the Symphonie en fa Op.20 of 1866-1873. The rare manuscript was believed to have been complete due to the opening section being repeated in the closing piece.

Also included in the sale was an autograph working manuscript by Beethoven, containing themes and ideas for several works including the Wind Octet Op103. The earliest Beethoven manuscript to have been auctioned in recent years, it fetched £163,250.

For the full story please visit Classic FM

Categories: News Tags: , , , ,

Mastering Tips – Top 5

June 5th, 2009 Jules No comments

For anyone outside of the recording industry, “mastering” is the final step in the music production stage. The processes are recording, editing, mixing, and mastering is last. When done correctly, mastering can be exactly what’s needed to add that ‘professional sound quality’ to your music.

This post will not go over exact processes and steps to master your tracks.  There are no set rules for mastering. I’ve heard it said a lot, “Always EQ first, Boost the 5K frequencies, then put some compression on there with a 4:1 ratio, etc, etc”. But do not be fooled into thinking this is the “definition” of mastering. You make your own rules on mastering. Every song is unique and needs certain things done to improve it. It will not be the same for a every song.

The 5 important factors which affect mastering are:

1. LISTEN

This is the most important thing to remember when mastering. You would think this would go without saying but you’d be surprised how many don’t really listen. Like I mentioned earlier, there are no rules in mastering.  You can define mastering as what makes a good-sounding mixed-down track sound better. That’s it. There are many things you can do to improve the sound. EQ, compression, limiting, de-essing, ’sonic maximizing’, dynamics, stereo imaging…the list could go on. But you need to decide what you use on any given track and in what order.

2. BE PATIENT

If you’re thinking you can sit down and master a track in half an hour, think again. Mastering takes time. You have to experiment. This could be related to the first tip of listening. If you truly listen, you going to be sitting and staring at your computer screen for hour. The reason for that is because if you really listen, you’re going to find things in your mix that you don’t like and you’re going to want to fix by any means necessary.

Only by experience can the mastering process go at a relatively quick pace. A veteran will know exactly what needs to change in a track and knows exactly how to fix it.

3. EXPERIENCE

The art of mastering can’t be learned in a day. It also cannot be learned from a book. Indeed, you can get an idea of what mastering is from a book, but to truly learn the art of it you need to do it yourself and for a long time.

Sit down at your computer and try it yourself. Most DAW’s come with built-in effects that can be used for mastering purposes. If you have a dedicated sound editor that is ideal. Start experimenting with your latest musical creation. Find out ways to make it sound better. Think the loud parts are too loud and soft parts too soft? Use compression. Does the mix sound a bit muddy? Do some rolling-off of some of the low frequencies (not much though). Experiment with the ’sonic maximizers’ and ‘loudness maximizers’ and whatever else you can think of.

Only by doing it yourself will you learn to do it correctly. If you do begin to master your own tracks, the training you get will effect all other aspects of your production as well. Mastering trains your ear. By training your ear in this manner, your recordings will sound better from start to finish because you know exactly what you want to hear and know exactly how to accomplish that.

4. KNOW YOUR GEAR

Pretty self-explanatory. If you know your gear inside and out, you know exactly what needs to be tweaked in the mastering process in order to obtain the sound you’re hearing in your head. If your track gets too loud and you don’t know how to use your limiter, and significantly decreases your productivity and efficiency when you’re trying to learn how to use it. The same thing applies to any hardware or plug-ins you own. Know your equipment better than they know themselves (figuratively speaking).

5. RELY ON OUTSIDE SOURCES

This covers a couple different things.

  • If it’s your music you’re mastering, listen to your favorite bands’ latest album. Basically, get an idea of what your music should sound like based off of someone else’s sound, but you need to make it unique. Do not mimic or copy someone else. That’s not true creativity.
  • If you are mastering a client’s tracks, communicate with them to get a vision for the end result. This is something so many people forget. If you don’t get an idea of what the client wants, you end up making something you want, and the client will not truly be happy. If you want success in your endeavors, if you want to stand out from the rest, and if you want to make an impact on the music industry in your area, talk to your customers. You know the saying ‘customers first’? It’s still true in the music business. It’s all about the customers. Give them what they want, and you’ll be a success.

Bespoke Royalty Free Music

May 13th, 2009 Jules No comments

I’m currently working on a commission to write some music for a training company to be used with some training CD’s and during various training sessions.  Now of course technically you could just use any piece of music for this. Or could you? Of course most music nowadays is subject to copyright so if you are proposing to use something in the public domain you can’t just play your favourite tune without first checking you have the necessary permission. Otherwise it could all turn nasty!

This is where our composition services can help. As a professional composer I can write music in a variety of different styles to meet a variety of different needs, whether its for a training CD, an introduction to a podcast or even music for the TV or films.  The main benefit of such music is it is written specifically for the customer and in the majority of cases it will never be used for anything else.

Yes, I admit there are plenty of online places now where you can buy “royalty free music”. But this isn’t quite the same as often these short clips are available to multiple customers and as such you do not have anything unique for your business or presentation.  Of course sometimes a short clip is all that’s needed and we do also offer such things to multiple clients but this is something which needs to be made clear at the outset. If you want something unique then make sure that’s what you have asked for and it is agreed with the composer!

I will shortly be publishing more examples of compositions on the website and I’d welcome some feedback.  In the meantime there’s music to be written!