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Posts Tagged ‘Recordings’

Sometime later…..

June 13th, 2010 Jules No comments

If there is anyone out there actually reading this then you may well have noticed that I haven’t written anything for a few months. Without wishing to sound like I am making excuses this is mostly due to the rather hectic schedule I have had recently.

In the last few weeks we have completed a number of new recordings and I have been busy working on some compositions for a private client. As well as this we have also been looking into some new equipment which I will talk about in another post. Briefly our idea was to explore whether or not there was any merit in having a portable system which (if running on battery power) would enable us to record in the middle of a field. Whether or not this would be useful to us remains to be seen. Watch this space for a full review.

In other news we are also busy perfecting our Internet producer system which will enable us work with producers at arms length (or indeed in another country). This will work alongside our current talk back system and we are even working on a new system of control which may incorporate a number of Apple iPads. Whilst this may sound all very technical the purpose is to make everything easier, not just for us but most importantly for our clients.

I will talk more about this system in a dedicated article discussing in greater detail the benefits of our technology.

Categories: News Tags: , ,

On the Go Monthly Podcast

September 18th, 2009 Jules No comments

For the last few months I have been recording a monthly podcast with Lesley Anne Hornbogen of “On the Go”.   Lesley Anne is a virtual assistant and she see’s a monthly podcast as a means of communicating with her client base and new prospects.

However, a podcast is not simply an audio version of an email newsletter (at least not the traditional type of email newsletter which is often no more than a sales pitch!).  In the business world, a podcast is an opportunity for a business owner to “speak” to their clients or prospects and give an insight into not only their business but talk about their experience and current news items affecting their business as well.  I’ve so far recorded 3 podcasts with Lesley Anne and we have discussed a range of subjects including Networking, Social Media and the role of a Virtual Assistant.

Now, you would be forgiven for thinking that Lesley Anne and I presumably meet up in a recording studio to put together the podcast.  I think almost without exception every person that I meet and say I’m involved with a recording business immediately asks “wheres your studio?”.  But no, these podcasts are currently all recorded in Lesley Anne’s kitchen with us sat round the table.   Welcome to the world of on location recordings.

By doing this series of Podcasts with Lesley Anne, I am hoping to show that with the right equipment and setup you don’t actually need a “studio”.  After all, what exactly is a recording studio other than 4 walls, some microphones and other recording equipment?  Actually, there is a bit more too it than that, but the point is we carry everything needed to turn almost any space into an acoustically treated studio environment.  Luckily for me, Lesley Anne has agreed to be “experimented” on and we have tried various different setups.  I am particularly pleased with the 3rd podcast and would welcome any feedback.

You can listen to Lesley Anne’s podcasts by visiting the samples page of our website. Or alternatively for more information on our audio recording services please visit the main site here.

4 Part Music Forum (beta) now online

July 14th, 2009 Jules No comments

Today saw the launch of the forum for 4 Part Music.  Technically it was easy enough to get this together and functioning in the way that people expect from forums.  However, the big question now is how to get people to actually contribute and for it to become a worthwhile place to be on the ever expanding world wide web.

Currently its a bit of a catch 22. I am well aware that without any content there is nothing to draw people in to register and start posting.  But the thing is, until they do, there will still be little content of any value!

I’d welcome any ideas as to how this can be progressed and become a useful forum for those in the music industry.  There are still one or two bugs to be ironed out whilst the forum is tested but any comments or indeed posts would be welcome!

In the meantime if you want to have a look at progress so far then go to 4 Part Music – Forum

Categories: Recordings Tags: , ,

Violinist Vilde Frang signs with EMI

July 5th, 2009 Jules No comments

EMI Classics has recently announced the signing of Norwegian violinist Vilde Frang. Her first release, scheduled for January 18 next year, will feature Sibelius’s Violin Concerto and three Humoresques, in addition to Prokofiev’s First Violin Concerto. The live recording was made the WDR Sinfonieorchester Köln under conductor Thomas Søndergård, and co-produced by WDR with support from the Borletti-Buitoni Trust.

Vilde Frang has signed to EMI

“Vilde Frang is a brilliant young violinist,” said EMI Classics vice president of A&R, Stephen Johns. “Her special and unique voice, coupled with playing of great fervour and depth, promises a brilliant debut disc.”

The 23-year-old violinist,  made her debut at the age of 10 with the Norwegian Radio Orchestra. She has since appeared as a soloist with orchestras in Scandinavia, England, Germany, Austria, Switzerland, Singapore and Taiwan. She has also worked with Martha Argerich, Renaud and Gautier Capuçon, Gidon Kremer, Yuri Bashmet and Maxim Vengerov, and in 2009 toured the United States with Anne-Sophie Mutter and Camerata Salzburg in Bach’s Double Concerto.

Categories: News Tags: , , , , ,

Prior Park – Day Two

June 23rd, 2009 Jules No comments

The second day of recordings at Prior Park College included Bob Chilcott’s “Nova Nova”, Mozart’s Laudate Dominum and the Kyrie from Schubert’s Mass in C.  With the latter two pieces we were introduced to two of Prior Park’s stunning Soprano soloists and we were all amazed at the quality of these girls voices.

Prior Park College

Prior Park College

In addition to the Director of Music, Roland Robertson, directing the choir, we also have 2 other teachers from the school who are acting as producers in the control room with myself and my sound engineer.  This has meant we have had to implement our talk back system which enables the producers to talk directly to Roland in the Chapel from our location approximately 50 metres away.  We are also able to offer play back both through multiple sets of headphones in the control room as well as through speakers into the chapel which means the choir are able to hear back the sections just recorded and therefore take on board the comments from the producer.

Technology aside, the most important aspect of all this is the quality of the actual recorded sound.  Luckily as the college chapel isnt being used at the moment we are able to mark the exact microphone positions as one of the key elements to multi session recordings is that microphone placement needs to be exactly replicated between each session.  This also means that when we go back and set everything up again later for this evenings session it takes less time to put up all the kit.

Prior Park – Day One

June 22nd, 2009 Jules No comments

Having just delivered the rushes to the customer from our first two recording sessions yesterday I now have about half an hour to relax before heading back to the Chapel at Prior Park College in Bath for tonights recording session.

Yesterday’s highlights included “O Thou the Central Orb”, the Sanctus from Mozart’s Mass in C and a fabulous rendition of Buxtehude’s C Major Fugue. Recording in the chapel presented us with quite  challenge not least becuase the organ is located in a gallery at the West End and the choir are recorded from the floor.  It’s at times like this when our multi-mic technique comes into its own as it allows us to place microphones in strategic locations to ensure we can achieve the correct balance between choir and organ without relying on any sort of “fake” effect.

Having had a quick listen back whilst creating the rushes which we delivered to the Director of Music at Prior Park College this morning the microphone placement appears to be spot on to ensure we have sufficient clarity from the choir whilst also ensuring we have enough of the chapel’s 4 second accoustic.

I will report back again once we have finished tonights session which should include some solo’s as well as choir and organ.

Preparing to record at Prior Park College

June 19th, 2009 Jules No comments

Today’s task is to make the final preparations for our forthcoming recording at Prior Park College starting on Sunday running through to Tuesday evening.  Over the last few months we have streamlined our set up as far as is possible and whilst the majority of the recording rig is now housed in a single case it does take 2 people to manouvre it and we now have a plethora of ramps to deal with steps and simply getting it in and out of the van!

Prior Park College at Sunset

Prior Park College at Sunset

That aside the most important preparation work is taken up in deciding on microphone layouts.  The plan with this recording is to set up 24 microphones in the College Chapel which may sound to some like a case of safety in numbers but in actual fact each microphone has a specific purpose. A great deal of on location recording companies simply set up either  a Soundfield microphone or a “stereo pair” on the basis that if you were in the audience listening thats what you would hear.

Part of me agrees with this concept, so we too will set up a Soundfield and a stereo pair. But then we will set up another stereo pair a bit further back, some spot microphones on the choir, microphones on each soloist and a further bank of microphones on the organ. Then the few which are left over will be placed at strategic points around the chapel to capture the accoustic.

Is this over the top? Well yes quite probably, but the thing is, we only get one chance to record.  Whether or not we use all these microphones in the final mix doesnt matter, but the benefit of using such a wide array of microphones in such a variety of positions means we have the greatest possible flexibility when mastering the recording afterwards to create the sound the customer desires.  After all in many cases, it is not always our opinion which matters the most.  If the customer wants the choir to sound nearer then we need to be able to achieve this. If he then says can you reduce the organ balance or bring up the soloists, again we need to be able to do this. Whilst there are any number of technical ways of doing this using “effects” or various VST’s, it’s always best to start with the original recorded sound than to add “fake” reverb or acoustic.

Just how good is Lavry Blue?

June 12th, 2009 Jules No comments

For those in the recording industry, Lavry Engineering are widely regarded as the professionals choice for pro audio equipment.  For a number of years we have used a wide range of Lavry equipment in our on location recording setups from the Black DA11 Stereo DA Converter through to a number of the Lavry Blue AD converters.

The “LavryBlue” Conversion System offers affordable high-end conversion and features. The LavryBlue system is suited for applications ranging from 2 channel recording and mastering to multitrack workstations, and surround sound applications. Versatile and flexible, the LavryBlue is field expandable as more tracks or capabilities are desired. This versatile system gives you 44.1, 48, 88.2 or 96 kHz sampling frequencies. Having worked with a range of equipment over the past few years, our extensive research and testing has shown that the Lavry equipment really does stand up to the test of time.  And lets face it, when you’re recording on location and you have a number of professional musicians there all with tight schedules and busy lives you only have one chance to get it right.

Mastering Tips – Top 5

June 5th, 2009 Jules No comments

For anyone outside of the recording industry, “mastering” is the final step in the music production stage. The processes are recording, editing, mixing, and mastering is last. When done correctly, mastering can be exactly what’s needed to add that ‘professional sound quality’ to your music.

This post will not go over exact processes and steps to master your tracks.  There are no set rules for mastering. I’ve heard it said a lot, “Always EQ first, Boost the 5K frequencies, then put some compression on there with a 4:1 ratio, etc, etc”. But do not be fooled into thinking this is the “definition” of mastering. You make your own rules on mastering. Every song is unique and needs certain things done to improve it. It will not be the same for a every song.

The 5 important factors which affect mastering are:

1. LISTEN

This is the most important thing to remember when mastering. You would think this would go without saying but you’d be surprised how many don’t really listen. Like I mentioned earlier, there are no rules in mastering.  You can define mastering as what makes a good-sounding mixed-down track sound better. That’s it. There are many things you can do to improve the sound. EQ, compression, limiting, de-essing, ’sonic maximizing’, dynamics, stereo imaging…the list could go on. But you need to decide what you use on any given track and in what order.

2. BE PATIENT

If you’re thinking you can sit down and master a track in half an hour, think again. Mastering takes time. You have to experiment. This could be related to the first tip of listening. If you truly listen, you going to be sitting and staring at your computer screen for hour. The reason for that is because if you really listen, you’re going to find things in your mix that you don’t like and you’re going to want to fix by any means necessary.

Only by experience can the mastering process go at a relatively quick pace. A veteran will know exactly what needs to change in a track and knows exactly how to fix it.

3. EXPERIENCE

The art of mastering can’t be learned in a day. It also cannot be learned from a book. Indeed, you can get an idea of what mastering is from a book, but to truly learn the art of it you need to do it yourself and for a long time.

Sit down at your computer and try it yourself. Most DAW’s come with built-in effects that can be used for mastering purposes. If you have a dedicated sound editor that is ideal. Start experimenting with your latest musical creation. Find out ways to make it sound better. Think the loud parts are too loud and soft parts too soft? Use compression. Does the mix sound a bit muddy? Do some rolling-off of some of the low frequencies (not much though). Experiment with the ’sonic maximizers’ and ‘loudness maximizers’ and whatever else you can think of.

Only by doing it yourself will you learn to do it correctly. If you do begin to master your own tracks, the training you get will effect all other aspects of your production as well. Mastering trains your ear. By training your ear in this manner, your recordings will sound better from start to finish because you know exactly what you want to hear and know exactly how to accomplish that.

4. KNOW YOUR GEAR

Pretty self-explanatory. If you know your gear inside and out, you know exactly what needs to be tweaked in the mastering process in order to obtain the sound you’re hearing in your head. If your track gets too loud and you don’t know how to use your limiter, and significantly decreases your productivity and efficiency when you’re trying to learn how to use it. The same thing applies to any hardware or plug-ins you own. Know your equipment better than they know themselves (figuratively speaking).

5. RELY ON OUTSIDE SOURCES

This covers a couple different things.

  • If it’s your music you’re mastering, listen to your favorite bands’ latest album. Basically, get an idea of what your music should sound like based off of someone else’s sound, but you need to make it unique. Do not mimic or copy someone else. That’s not true creativity.
  • If you are mastering a client’s tracks, communicate with them to get a vision for the end result. This is something so many people forget. If you don’t get an idea of what the client wants, you end up making something you want, and the client will not truly be happy. If you want success in your endeavors, if you want to stand out from the rest, and if you want to make an impact on the music industry in your area, talk to your customers. You know the saying ‘customers first’? It’s still true in the music business. It’s all about the customers. Give them what they want, and you’ll be a success.

How does audio benefit your website?

March 26th, 2009 Jules No comments

Use of audio on a business website is an ideal way of adding a personal touch to your business.  It’s widely accepted that people buy people before products and services.  By using short audio clips on your website you can give your customers the chance to get to know you before they consider your business.

Nowadays this even more important as competition is getting tougher in the vast majority of businesses, particularly with the economic climate being what it is.  By offering on location recordings for web audio we give you the opportunity to speak to your clients before you meet them and give them an overview of your business in your own words.

Think of it rather like an email newsletter but in spoken form.  The biggest benefit of an audio file is that your customers or prospects can download this and listen in their own time.